Category: Tips (page 2 of 2)

How to start your story

The beginning of your story is meant to be an induction to the rest of the story as a whole. Your job is to hook your readers from page one and give us a taste of the rest of the book.

I recently performed a developmental edit on a well-written thriller. In the opening scene, the protagonist is hiding in a closet and listening to the sounds beyond the closet doors. She is eventually discovered and makes a break for the exit. Throughout the book, the protagonist does a lot of traveling and encounters many dangerous people, but the book starts with her stuck in a closet.

How could the author make the first few paragraphs representative of the entire book?

My suggestion was for the author to show us the survivalist we come to know in the book. She is resourceful and lively, cautious but daring. By showing us a character who searches the closet for weapons, devises a plan or two, and moves as stealthily as possible, we’re able to see the gumption and intellect that will aid the character throughout the book.

Now when she makes a break for the exit, we are cheering her on and hoping she escapes. We already like her because we already know her.

What you need to know before hiring an editor

Yesterday I wrote about the importance of the author–editor relationship.  Today I’m going to tell you what you need to know before hiring an editor, including things you don’t want to hear and things editors don’t want you to know.

Avoid non-editors

Teachers are not editors. People who are “good at English” are not editors.  Writers are not editors. People who read a lot of books are not editors.

Knowing grammar rules is a teeny fraction of editing, and rules often get in the way of good writing. Your manuscript needs to be reviewed by someone who knows, among many other things, how to edit your unique voice. Hire a professional editor, please.

Make demands

It’s acceptable to ask an editor for a résumé, references, and a copyediting sample. It is not acceptable to ask to see an editing sample of someone else’s work. It is acceptable to ask an editor to sign a contract and nondisclosure agreement. Most of the time my clients and I skip all of the above and get straight to work, but there is nothing wrong with asking for any or all of these things.

Expect professionalism

I’ve heard tell of so-called editors being rude to authors who inquire about editing services. When an author decides not to hire them, these “editors” resort to name calling and other unprofessional behavior. Unbelievable. Professional editors will treat you with respect at all times. It might even be in your best interest to reject all editors at first to see if they behave professionally or not.

 

 

The importance of the author–editor relationship

This first appeared as a guest blog post on author Cynthia A. Rodriguez’s site. 

Self-publishing and small presses are redefining the publishing world, and I love it. Authors can now select publishing services à la carte, and new voices are reaching the reader with more purity and raw emotion than ever before. However, for writers who are serious about having a long-term, successful career as a novelist, one aspect of publishing that is not optional is developmental editing.

The question writers should be asking isn’t, “Do I need an editor?” Even editors need editors. (Thank you, Melody, for checking this post.) The real question a serious writer should ask is, “Who will be my editor?” Your editor will be your and your manuscript’s long-term friend and enemy—frenemy, if you will. Typically, your editor will love your manuscript and you will dislike your editor for making them change any of it. Today I’ll share with you a broad overview of the main differences between a good, great, and ideal editor.

good fiction editor reviews your manuscript’s premise, plot structure, pacing, characters, dialogue, and marketability. A good fiction editor identifies weak points and makes useful suggestions for story and character development while ensuring continuity. A good fiction editor is professional, always meets deadlines, keeps a style sheet, and treats you with respect.

great fiction editor does all of the things a good editor does while understanding your vision, loving your characters, and preserving your voice and writing style.

An ideal fiction editor does all of the things a great fiction editor does but also knows when to motivate and guide you and when to keep their mouth shut. They get to know your personality and writing process, and they offer only as much help as you actually need. An ideal fiction editor might suggest that there is a character that will eventually need to die but won’t name names. When all is said and done, the manuscript remains yours.

At a book signing once, the author was asking the people he was signing books for what they did for a living. Based on their reply, he wrote something witty before signing his name. When it was my turn, I told him I was a book editor. He said nothing and signed his name. Just his name. No witty comment. No further eye contact. I think it’s safe to say that he does not have an ideal author–editor relationship.

If you follow Cynthia’s blog, you’ll know that her and I do have the ideal author–editor relationship. It was easy in this case because Cynthia is a talented writer, Mystic Waters is spellbinding, and I am in love with the characters.

However, I do not think that I am everyone’s ideal editor nor is everyone my ideal client. I experience literary heartache over fictional characters, and I do not give my literary heart to just anyone. A novelist should be as careful about giving their manuscript to an editor, but they should certainly get a developmental editor. The sooner you cultivate an author–editor relationship, the better it will be for your writing.

The one time management tip you won’t follow but should

You’ve made a new year’s resolution to get that book done. So, let’s do it.

Every Monday for the next two months I’ll offer a time management tip that will change your behavior and the behavior of those around you, resulting in more time to write. Be warned: these are going to be succinct, useful, and harsh recommendations.

Time management tip #1: Say “no” a lot.

Once you start a new project, excuses will keep you from working on your new venture. By “excuses” I mean people you think you must please and events in which you think you must participate. Take this week to say “no” and realize how many time suckers are lurking in your life.

Why we say “yes”

We often say “yes” to events because we feel like we might miss out on something. Keep saying “yes” and you’ll miss out on writing a great book. We also say “yes” because we don’t want to disappoint anyone, no matter how many times they’ve disappointed us. Instead of letting other people down, you let yourself down. Over and over again. Stop it.

What happens when you say “no”

People might be miffed, but you’ll have written a killer scene, so what do you care? Those who care about you will admire your dedication. Those who get mad and stay mad were never planning to read your book anyway.

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